Fifty Sisters – digital exhibition

Fifty Sisters - Hargrave-Andrew Library

A software-based version of Fifty Sisters is now showing at the Hargrave-Andrew Library, Monash University, Clayton (map). In this version of the work, the computer acts as editor, selecting and framing several closeup shots of each sister, before finally displaying the full image. A new image is presented every 20 minutes or so.

The exhibition runs from 2 July 2015 until the end of September. More information on the library web site.

 

IJCAI 2015

IJCAI-15It is a great honour to be an invited speaker at this year’s IJCAI (24th International Joint Conference on Artificial Intelligence) in the AI & The Arts track. This year the conference is located at Buenos Aires, Argentina – the first time in South America.

The title of my keynote talk will be “Art is a System”, which will look at specific approaches for AI research in the arts in order to better understand human creative processes and practice.

In addition, I’ll also be presenting a new paper (co-authored with Mark d’Inverno):
Heroic vs Collaborative AI for the Arts

Abstract

This paper considers the kinds of AI systems we want involved in art and art practice. We explore this relationship from three perspectives: as artists interested in expanding and developing our own creative practice; as AI researchers interested in building new AI systems that contribute to the understanding and development of art and art practice; and as audience members interested in experiencing art. We examine the nature of both art practice and experiencing art to ask how AI can contribute. To do so, we review the history of work in intelligent agents which broadly speaking sits in two camps: autonomous agents (systems that can exhibit intelligent behaviour independently) in one, and multi-agent systems (systems which interact with other systems in communities of agents) in the other.

In this context we consider the nature of the relationship between AI and Art and introduce two opposing concepts: that of “Heroic AI”, to describe the situation where the software takes on the role of the lone creative hero and “Collaborative AI” where the system supports, challenges and provokes the creative activity of humans. We then set out what we believe are the main challenges for AI research in understanding its potential relationship to art and art practice.

More details on my presentations and the conference to follow.

Rob|Arch 2016

Robotic Fabrication in Architecture, Art & Design.

Rob|Arch 2016 will take place shortly before Easter 2016 in Sydney Australia, with Dagmar Reinhardt and Rob Saunders of the University of Sydney as conference chairs.
They are joined by Marjo Niemelä (University of Sydney), Mari Velonaki and Hank Haeusler (UNSW), Chris Knapp and Jonathan Nelson (Abedian School of Architecture, Bond University), Jane Burry, Roland Snooks, and Nicholas Williams (RMIT), Dave Pigram (UTS), and Tim Schork and Jon McCormack (Monash University) as co-chairs.
Rob|Arch 2016
WORKSHOPS: MARCH 15–17, 2016
CONFERENCE: MARCH 18–19, 2016

Here is the RobArch2016_Call for Papers_Workshops.

For more information see the conference website.

Post-Anthropcentric Creativity

Call for Submissions, special issue of Digital Creativity, 27:1, January 2016

the flesh that covers me is the flesh that covers the sun (Dylan Thomas)

Guest editors: Stanislav Roudavski and Jon McCormack

This special issue aims to audit existing conceptions of creativity in the light of non-anthropocentric interpretations of agency, autonomy, subjectivity, social practices and technologies. Specifically, it seeks to explore how 1) the agents, recipients and processes of creativity and 2) the purpose, value, ethics and politics of creativity relate to phenomena of computation. The editors encourage innovative narrative or visual strategies that can express relevant scenarios better that more typical forms of academic writing. Dialogues, conversations, plays, scripts, instruction sets, games or visual essays (for example) might be suitable alongside logical arguments or formulae. Initial proposals should be submitted as abstracts of 800–1200 words, exclusive of references and biographies.

Abstracts due: May 15, 2015, to be sent as PDFs to Stanislav Roudavski at stanislav.roudavski@cantab.net as well as to the editors of Digital Creativity at dcsubmit@gmail.com

The Full Call for Submissions is available as a pdf.

Creative Machine Exhibition

Creative Machine Poster

This major exhibition explores the twilight world of human/machine creativity in contemporary art, including installations of video and computer art, artificial intelligence, robotics and apps by twenty-five leading artists including well-known international artists, Goldsmiths staff and students.

This exhibition at St.James, Hatcham Church Gallery Goldsmiths, University of London runs from 6- 14 November and will feature Niche Constructions. More details on the Goldsmiths web site.

 

The exhibition opening coincides with the Human Interactive Conference 9:30am—6pm Thursday 6 Nov 2014
 www.humaninteractive.org.uk

Exhibition Flyer [pdf]

Exhibition Catalogue [pdf]

Short video: http://www.dailymotion.com/video/x29i2ke_30sec-creativemachine-goldsmiths-london-q4-2014_creation

Artists: 

Memo Atken • Cécile Babiole • Daniel Berio • Balint Bolygo • Damien Borowik • Paul Brown • Simon Colton • Ernest Edmonds • Ian Gouldstone • Yoichiro Kawaguchi • William Latham • Andy Lomas • Manu Luksch • Alex May/Anna Dumitriu • Jon McCormack • Parashkev Nachev • Vesna Petresin • Quayola • Félix Luque Sánchez • Naoko Tosa • Peter Todd • Patrick Tresset • Harwood/Wright/Yokokoji

Curators:

William Latham, Atau Tanaka and Frederic Fol Leymarie

Exhibition Organiser:

Steph Horak

More information at: www.creativemachine.org.uk